A project in early stages that I’m working on. Check out the website here.
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A project in early stages that I’m working on. Check out the website here.
Some might be quick to judge a filmmakers’ manifesto from 1969, addressing the problems of Cuban post-revolutionary cinema as having more a historic relevance than being a practical guide to digital-era filmmakers. After recently rereading Julio García Espinosa’s For an Imperfect Cinema, I’m gripped by excitement by the profound analysis of the film medium’s contradictions and possibilities, and not the least impressed with how every assertion seems to resonate with my own practical, and every-day experiences. Continue reading
The constantly updating blogs culture has a narcotic like effect. I know I’m not the only one who feels the need to periodically revise a slate of blog and news site for that mild-endorfine releasing sensation of something new and noteworthy “happening”.
Continue reading
Meginlandið:
Disappear:
Another short I shot is soon comming out, Disappear, directed by Heimir Freyr Hlöðversson.
This spring I’ve been involved in two community oriented projects. I was the main organizer of the Klapp co-op’s guerrilla film campaign. With funding from Reykjavik municipality we helped a group of 10 film makers organize, develop and equip short films which premiered in Bíó Paradís in May. See this article in Reykjavik Grapvine.
I was also responsible for the technical development of Icelandic Cinema Online, a promising VOD platform for Icelandic cinema. Check it out and rent some films – some are even free.
Incorporated, a 30 min short film I associate-produced and assistand-directed, is now looking to mature into a feature length version.
The film premiered at the London Film Festival in 2010 and was shortlisted for a BAFTA award.
Directed by: Nick White. See more info here.
Not the final product – just some shots from one of the cameras in promo shoot I did for Nikita Clothing. Funny to try this type of “beauty” shots. Put soft, even light from both sides of the camera, and diffused a practical lamp which was already in the ceiling for hairlight.
Flew on an 8 man plane over to Bíldudalur a few weeks ago to shoot this interactive exhibition that Gagarín did for the local monster museum. As is fitting for monster exhibitons, the light was barely enough for the human eye, but I decided to keep to current lighting as much as possible and just live with the hight ISO noise. Edited by: Heimir Freyr Hlöðversson.
Here’s a viral I produced for Bíó Paradís, focusing on building nostalgia for Reykjavik’s newest Art House cinema. Directed by Ragnar Bragason.